The Band – Islands (1977) [Japanese Limited SHM-SACD 2014] SACD ISO

The Band – Islands (1977) [Japanese Limited SHM-SACD 2014]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 35:14 minutes | Scans included | 1,42 GB
Genre: Rock

Theoretically, even though the Band had given up touring as of Thanksgiving 1976, they were going to keep making records, and Islands was the first album released in the new era. Only it wasn’t; it was the album they scraped together to complete their ten-LP contract with Capitol Records and the last new full-length album the original five members ever made. The playing, as ever, was impeccable, and the record had its moments, notably a Richard Manuel vocal on the chestnut “Georgia on My Mind” that had been released as a single in 1976 to boost Georgia governor Jimmy Carter’s successful run for the presidency. But the songwriting quality was mediocre, and the Band had set such a standard for itself in that department that Islands couldn’t help suffering enormously in comparison.

Tracklist:
01. Right As Rain
02. Street Walker
03. Let The Night Fall
04. Ain’t That A Lot Of Love
05. Christmas Must Be Tonight
06. Islands
07. The Saga Of Pepote Rouge
08. Georgia On My Mind
09. Knockin’ Lost John
10. Livin’ In A Dream

DSD flat transferred from US Original analogue master tapes.

Download:

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The Band – Moondog Matinee (1973) [Japanese Limited SHM-SACD 2014] SACD ISO

The Band – Moondog Matinee (1973) [Japanese Limited SHM-SACD 2014]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 35:58 minutes | Scans included | 1,45 GB
Genre: Rock

The Band essentially went back to being the Hawks of the late ’50s and early ’60s on this album of cover tunes. They demonstrated considerable expertise on their versions of rock & roll and R&B standards like Clarence “Frogman” Henry’s “Ain’t Got No Home,” Chuck Berry’s “The Promised Land,” and Fats Domino’s “I’m Ready,” but of course that didn’t do much to satisfy the audience they had established with their original material and that, two years after the disappointing Cahoots, was waiting for something in the same league with their first three albums.

Tracklist:
01. Ain’t Got No Home
02. Holy Cow
03. Share Your Love With Me
04. Mystery Train
05. Third Man Theme
06. Promised Land
07. The Great Pretender
08. I’m Ready
09. Saved
10. A Change Is Gonna Come

DSD flat transferred from US Original analogue master tapes.

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The Band – Rock Of Ages (1972) [Japanese Limited SHM-SACD 2014] SACD ISO

The Band – Rock Of Ages (1972) [Japanese Limited SHM-SACD 2014]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 79:41 minutes | Scans included | 3,21 GB
Genre: Rock

Released on the heels of the stilted, static Cahoots, the double-album Rock of Ages occupies a curious yet important place in Band history. Recorded at a spectacular New Years Eve 1971 gig, the show and album were intended to be a farewell of sorts before the Band took an extended break in 1972, but it turned out to be a last hurrah in many different ways, closing the chapter on the first stage of their career, when they were among the biggest and most important rock & roll bands. That sense of importance had started to creep into their music, turning their studio albums after The Band into self-conscious affairs, and even the wildly acclaimed first two albums seemed to float out of time, existing in a sphere of their own and never having the kick of a rock & roll band. Rock of Ages has that kick in spades, and it captures that road warrior side of the band that was yet unheard on record. Since this band — or more accurately its leader, Robbie Robertson — was acutely aware of image and myth, this record didn’t merely capture an everyday gig, it captured a spectacular, in retrospect almost a dry run for the legendary Last Waltz. New Orleans R&B legend Allen Toussaint was hired to write horn charts and conduct them, helping to open up the familiar tunes, which in turn helped turn this music into a warm, loose, big-hearted party. And that’s what’s so splendid about Rock of Ages: sure, the tightness of the Band as a performing unit is on display, but there’s also a wild, rowdy heart pumping away in the backbeat of this music, something that the otherwise superb studio albums do not have. Simply put, this is a joy to hear, which may have been especially true after the dour, messy Cahoots, but even stripped of that context Rock of Ages has a spirit quite unlike any other Band album. Indeed, it could be argued that it captured the spirit of the Band at the time in a way none of their other albums do.

Tracklist:
01. Introduction
02. Don’t Do It
03. King Harvest (Has Surely Come)
04. Caledonia Mission
05. Get Up Jake
06. The W.S. Walcott Medicine Show
07. Stage Fright
08. The Night They Drove Old Dixie Down
09. Across The Great Divide
10. This Wheel’s On Fire
11. Rag Mama Rag
12. The Weight
13. The Shape I’m In
14. Unfaithful Servant
15. Life Is A Carnival
16. The Genetic Method
17. Chest Fever
18. (I Don’t Want To) Hang Up My Rock And Roll Shoes

DSD flat transferred from US Original analogue master tapes.

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The Band – The Band (1969) [Japanese Limited SHM-SACD 2014] SACD ISO

The Band – The Band (1969) [Japanese Limited SHM-SACD 2014]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 44:03 minutes | Scans included | 1,78 GB
Genre: Rock

The Band’s first album, Music from Big Pink, seemed to come out of nowhere, with its ramshackle musical blend and songs of rural tragedy. The Band, the group’s second album, was a more deliberate and even more accomplished effort, partially because the players had become a more cohesive unit, and partially because guitarist Robbie Robertson had taken over the songwriting, writing or co-writing all 12 songs. Though a Canadian, Robertson focused on a series of American archetypes from the union worker in “King Harvest (Has Surely Come)” and the retired sailor in “Rockin’ Chair” to, most famously, the Confederate Civil War observer Virgil Cane in “The Night They Drove Old Dixie Down.” The album effectively mixed the kind of mournful songs that had dominated Music from Big Pink, here including “Whispering Pines” and “When You Awake” (both co-written by Richard Manuel), with rollicking uptempo numbers like “Rag Mama Rag” and “Up on Cripple Creek” (both sung by Levon Helm and released as singles, with “Up on Cripple Creek” making the Top 40). As had been true of the first album, it was The Band’s sound that stood out the most, from Helm’s (and occasionally Manuel’s) propulsive drumming to Robertson’s distinctive guitar fills and the endlessly inventive keyboard textures of Garth Hudson, all topped by the rough, expressive singing of Manuel, Helm, and Rick Danko that mixed leads with harmonies. The arrangements were simultaneously loose and assured, giving the songs a timeless appeal, while the lyrics continued to paint portraits of 19th century rural life (especially Southern life, as references to Tennessee and Virginia made clear), its sometimes less savory aspects treated with warmth and humor.

Tracklist:
01. Across The Great Divide
02. Rag Mama Rag
03. The Night They Drove Old Dixie Down
04. When You Awake
05. Up On Cripple Creek
06. Whispering Pines
07. Jemima Surrender
08. Rockin’ Chair
09. Look Out Cleveland
10. Jawbone
11. The Unfaithful Servant
12. King Harvest (Has Surely Come)

DSD flat transferred from US Original analogue master tapes.

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https://file.al/nxjsynjeflul/DSDmusic.link_TheBandTheBand1969Japan2014SHMSACDIS.part1.rar.html
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The Band – Music From Big Pink (1968) [Japanese Limited SHM-SACD 2014] SACD ISO

The Band – Music From Big Pink (1968) [Japanese Limited SHM-SACD 2014]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 42:02 minutes | Scans included | 1,70 GB
Genre: Rock

None of the Band’s previous work gave much of a clue about how they would sound when they released their first album in July 1968. As it was, Music from Big Pink came as a surprise. At first blush, the group seemed to affect the sound of a loose jam session, alternating emphasis on different instruments, while the lead and harmony vocals passed back and forth as if the singers were making up their blend on the spot. In retrospect, especially as the lyrics sank in, the arrangements seemed far more considered and crafted to support a group of songs that took family, faith, and rural life as their subjects and proceeded to imbue their values with uncertainty. Some songs took on the theme of declining institutions less clearly than others, but the points were made musically as much as lyrically. Tenor Richard Manuel’s haunting, lonely voice gave the album much of its frightening aspect, while Rick Danko’s and Levon Helm’s rough-hewn styles reinforced the songs’ rustic fervor. The dominant instrument was Garth Hudson’s often icy and majestic organ, while Robbie Robertson’s unusual guitar work further destabilized the sound. The result was an album that reflected the turmoil of the late ’60s in a way that emphasized the tragedy inherent in the conflicts. Music from Big Pink came off as a shockingly divergent musical statement only a year after the ornate productions of Sgt. Pepper, and initially attracted attention because of the three songs Bob Dylan had either written or co-written. However, as soon as “The Weight” became a minor singles chart entry, the album and the group made their own impact, influencing a movement toward roots styles and country elements in rock. Over time, Music from Big Pink came to be regarded as a watershed work in the history of rock, one that introduced new tones and approaches to the constantly evolving genre.

Tracklist:
01. Tears Of Rage
02. To Kingdom Come
03. In A Station
04. Caledonia Mission
05. The Weight
06. We Can Talk
07. Long Black Veil
08. Chest Fever
09. Lonesome Suzie
10. This Wheel’s On Fire
11. I Shall Be Released

DSD flat transferred from US Original analogue master tapes.

Download:

https://file.al/vb76ieo50hdt/DSDmusic.link_TheBandMusicFrmBigPink1968Japan2014SHMSACDIS.part1.rar.html
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John Coltrane – A Love Supreme (1964) [Analogue Productions 2010] SACD ISO

John Coltrane – A Love Supreme (1964) [Analogue Productions 2010]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 33:01 minutes | Scans included | 1,35 GB
Genre: Jazz

Easily one of the most important records ever made, John Coltrane’s A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane’s classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped into the studio and created one of the most thought-provoking, concise, and technically pleasing albums of their bountiful relationship (not to mention his best-selling to date). From the undulatory (and classic) bassline at the intro to the last breathy notes, Trane is at the peak of his logical yet emotionally varied soloing while the rest of the group is remarkably in tune with Coltrane’s spiritual vibe. Composed of four parts, each has a thematic progression leading to an understanding of spirituality through meditation. From the beginning, “Acknowledgement” is the awakening of sorts that trails off to the famous chanting of the theme at the end, which yields to the second act, “Resolution,” an amazingly beautiful piece about the fury of dedication to a new path of understanding. “Persuance” is a search for that understanding, and “Psalm” is the enlightenment. Although he is at times aggressive and atonal, this isn’t Trane at his most adventurous (pretty much everything recorded from here on out progressively becomes much more free, and live recordings from this period are extremely spirited), but it certainly is his best attempt at the realization of concept — as the spiritual journey is made amazingly clear. A Love Supreme clocks in at just over 30 minutes, but if it had been any longer it could have turned into a laborious listen. As it stands, just enough is conveyed. It is almost impossible to imagine a world without A Love Supreme having been made, and it is equally impossible to imagine any jazz collection without it.

Tracklist:
01. A Love Supreme, Part One: “Acknowledgement”
02. A Love Supreme, Part Two: “Resolution”
03. A Love Supreme, Part Three: “Pursuance” / Part Four: “Psalm”

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https://file.al/oezovm3dg6ox/DSDmusic.link_JohnColtraneALoveSupreme1964APRemaster2010SACDISO.part1.rar.html
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John Coltrane – Blue Train (1957) [Reissue 2003] SACD ISO

John Coltrane – Blue Train (1957) [Reissue 2003]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 59:08 minutes | Scans included | 2,41 GB
Genre: Jazz

Although never formally signed, an oral agreement between John Coltrane and Blue Note Records founder Alfred Lion was indeed honored on Blue Train — Coltrane’s only collection of sides as a principal artist for the venerable label. The disc is packed solid with sonic evidence of Coltrane’s innate leadership abilities. He not only addresses the tunes at hand, but also simultaneously reinvents himself as a multifaceted interpreter of both hard bop as well as sensitive balladry — touching upon all forms in between. The personnel on Blue Train is arguably as impressive as what they’re playing. Joining Coltrane (tenor sax) are Lee Morgan (trumpet), Curtis Fuller (trombone), Kenny Drew (piano), Paul Chambers (bass), and Philly Joe Jones (drums). The triple horn arrangements incorporate an additional sonic density that remains a trademark unique to both this band and album. Of particular note is Fuller’s even-toned trombone, which bops throughout the title track as well as the frenetic “Moments Notice.” Other solos include Paul Chambers’ subtly understated riffs on “Blue Train” as well as the high energy and impact from contributions by Lee Morgan and Kenny Drew during “Locomotion.” The track likewise features some brief but vital contributions from Philly Joe Jones — whose efforts throughout the record stand among his personal best. Of the five sides that comprise the original Blue Train, the Jerome Kern/Johnny Mercer ballad “I’m Old Fashioned” is the only standard; in terms of unadulterated sentiment, this version is arguably untouchable. Fuller’s rich tones and Drew’s tastefully executed solos cleanly wrap around Jones’ steadily languid rhythms. Without reservation, Blue Train can easily be considered in and among the most important and influential entries not only of John Coltrane’s career, but of the entire genre of jazz music as well.

Tracklist:
01. Blue Train
02. Moment’s Notice
03. Locomotion
04. I’m Old Fashioned
05. Lazy Bird
06. Blue Train (Alternate take, Bonus track)
07. Lazy Bird (Alternate take, Bonus track)

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John Coltrane – Coltrane (1962) [Analogue Productions 2010] SACD ISO

John Coltrane – Coltrane (1962) [Analogue Productions 2010]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 39:53 minutes | Scans included | 1,62 GB
Genre: Jazz

Considered by many to be his finest single album, Coltrane finds John Coltrane displaying all of the exciting elements that sparked brilliance and allowed his fully formed instrumental voice to shine through in the most illuminating manner. On tenor saxophone, he’s simply masterful, offering the burgeoning sheets of sound philosophy into endless weavings of melodic and tuneful displays of inventive, thoughtful, driven phrases. Coltrane also plays a bit of soprano saxophone as a primer for his more exploratory work to follow. Meanwhile, bassist Jimmy Garrison, drummer Elvin Jones, and especially the stellar McCoy Tyner have integrated their passionate dynamics into the inner whole of the quartet. The result is a most focused effort, a relatively popular session to both his fans or latecomers, with five selections that are brilliantly conceived and rendered. “Out of This World,” at over 14 minutes in modal trim, is a powerful statement, stretched over Tyner’s marvelous and deft chords, the churning rhythms conjured by Jones, and the vocal style Coltrane utilizes as he circles the wagons on this classic melody, including a nifty key change. “Tunji” is a mysterious, easily rendered piece in 4/4 which speaks to the spiritual path Coltrane tred, a bit riled up at times while Tyner remains serene. Hard bop is still in the back of their collective minds during “Miles’ Mode,” a sliver of a melody that jumps into jam mode in a free-for-all blowing session, while the converse is to be found in Mal Waldron’s “Soul Eyes,” the quintessential ballad and impressive here for the way Coltrane’s holds notes, emotion, and expressive intellectuality. On soprano you can tell Coltrane is close to taking complete control of his newly found voicings, as a playful, jaunty “The Inch Worm” in 3/4 time is only slightly strained, but in which he finds complete communion with the others. Even more than any platitudes one can heap on this extraordinary recording, it historically falls between the albums Olé Coltrane and Impressions — completing a triad of studio efforts that are as definitive as anything Coltrane ever produced, and highly representative of him in his prime.

Tracklist:
01. Out Of This World
02. Soul Eyes
03. The Inch Worm
04. Tunji (Toon-gee)
05. Miles’ Mode

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John Coltrane – John Coltrane Quartet Plays (1965) [Analogue Productions 2011] SACD ISO

John Coltrane – John Coltrane Quartet Plays (1965) [Analogue Productions 2011]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 37:59 minutes | Scans included | 1,59 GB
Genre: Jazz

One of the turning points in the career of John Coltrane came in 1965. The great saxophonist, whose playing was always very explorative and searching, crossed the line into atonality during that year, playing very free improvisations (after stating quick throwaway themes) that were full of passion and fury. This particular studio album has two standards (a stirring “Chim Chim Cheree” and “Nature Boy”) along with two recent Coltrane originals (“Brazilia” and “Song of Praise”). Art Davis plays the second bass on “Nature Boy,” but otherwise this set (a perfect introduction for listeners to Coltrane’s last period) features the classic quartet comprised of the leader, pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin Jones.

Tracklist:
01. Chim Chim Cheree
02. Brazilia
03. Nature Boy
04. Song of Praise

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John Coltrane – Lush Life (1961) {1957-58 Recordings} [Fantasy Remaster PRSA-7188-6] SACD ISO

John Coltrane – Lush Life (1961) {1957-58 Recordings} [Fantasy Remaster ‘2003]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | 36:33 minutes | Scans included | 1.53 GB
Genre: Jazz

When he recorded Lush Life, John Coltrane was rapidly gaining recognition for his innovations in jazz soloing. As a member of the Miles Davis Quintet, he had become known far beyond a small circle of jazz insiders. Coltrane’s development as a soloist came at a pace and an intensity seldom witnessed in jazz. It was immeasurably aided by two factors: He jettisoned his drug and alcohol habits and, during a hiatus from the Davis band, he worked with Thelonious Monk. The boldness and daring that began to characterize Coltrane’s playing during the Monk period are evident here in three pieces on which he is accompanied only by bass and drums. Freeing his astonishing creativity from the imposed harmonies of a piano, he employs his massive technique to put into standard song and blues forms nearly all that they could contain. In two pieces with pianist Red Garland, his colleague from the Davis group, Coltrane is scarcely less inventive. The clarity and definition of SA-CD technology make the intimacy of Coltrane’s style seem even more conversational.

Lush Life (1958) is among John Coltrane’s best endeavors on the Prestige label. One reason can easily be attributed to the interesting personnel and the subsequent lack of a keyboard player for the August 16, 1957 session that yielded the majority of the material. Coltrane (tenor sax) had to essentially lead the compact trio of himself, Earl May (bass), and Art Taylor (drums). The intimate setting is perfect for ballads such as the opener “Like Someone in Love.” Coltrane doesn’t have to supplement the frequent redundancy inherent in pianists, so he has plenty of room to express himself through simple and ornate passages. Unifying the slippery syncopation and slightly Eastern feel of “I Love You” is the tenor’s prevalent capacity for flawless, if not downright inspired on-the-spot “head” arrangements that emerge singular and clear, never sounding preconceived. Even at an accelerated pace, the rhythm section ably prods the backbeat without interfering. A careful comparison will reveal that “Trane’s Slo Blues” is actually a fairly evident derivation (or possibly a different take) of “Slowtrane.” But don’t let the title fool you as the mid-tempo blues is undergirded by a lightheartedness. May provides a platform for Coltrane’s even keeled runs before the tenor drops out, allowing both May and then Taylor a chance to shine. The fun cat-and-mouse-like antics continue as Taylor can be heard encouraging the tenor player to raise the stakes and the tempo — which he does to great effect.

The practically quarter-hour reading of Billy Strayhorn’s “Lush Life” is not only the focal point of this album, it is rightfully considered as one of Coltrane’s unqualified masterworks. The performance hails from January 10, 1958 as Coltrane sits in with Red Garland (piano), Donald Byrd (trumpet), Paul Chambers (bass), and Louis Hayes (drums). Coltrane handles the tune’s delicate complexities with infinite style and finesse. Garland similarly sparkles at the 88s, while Byrd’s solo offers a bit of a tonal alternative. It should be noted that the reading here does not include a vocal from Johnny Hartman. That version can be found on the ever imaginatively monikered John Coltrane & Johnny Hartman (1963).

Tracklist:
01. Like Someone In Love
02. I Love You
03. Trane’s Slo Blues
04. Lush Life
05. I Hear A Rhapsody

JOHN COLTRANE-tenor saxophone with
on #1-3:
EARL MAY-bass
ARTHUR TAYLOR-drums
other selections:
DONALD BYRD-trumpet (#4)
RED GARLAND-piano
PAUL CHAMBERS-bass
LOUIS HAYES-drums (#4)
ALBERT “TOOTIE” HEATH-drums (#5)
Supervision by BOB WEINSTOCK
Recorded by RUDY VAN GELDER at Van Gelder Studio, Hackensack, NJ on May 31 (#5) and August 16 (1-3), 1957; January 10,1958 (4).

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https://file.al/qz3x4laf79m7/DSDmusic.link_JohnColtraneLushLifeFantasyRemasterPRSA71886SACDISO.part1.rar.html
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John Coltrane – Soultrane (1958) [MFSL 2003] SACD ISO

John Coltrane – Soultrane (1958) [MFSL 2003]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 39:56 minutes | Scans included | 1,61 GB
Genre: Jazz

In addition to being bandmates within Miles Davis’ mid-’50s quintet, John Coltrane (tenor sax) and Red Garland (piano) head up a session featuring members from a concurrent version of the Red Garland Trio: Paul Chambers (bass) and Art Taylor (drums). This was the second date to feature the core of this band. A month earlier, several sides were cut that would end up on Coltrane’s Lush Life album. Soultrane offers a sampling of performance styles and settings from Coltrane and crew. As with a majority of his Prestige sessions, there is a breakneck-tempo bop cover (in this case an absolute reworking of Irving Berlin’s “Russian Lullaby”), a few smoldering ballads (such as “I Want to Talk About You” and “Theme for Ernie”), as well as a mid-tempo romp (“Good Bait”). Each of these sonic textures displays a different facet of not only the musical kinship between Coltrane and Garland but in the relationship that Coltrane has with the music. The bop-heavy solos that inform “Good Bait,” as well as the “sheets of sound” technique that was named for the fury in Coltrane’s solos on the rendition of “Russian Lullaby” found here, contain the same intensity as the more languid and considerate phrasings displayed particularly well on “I Want to Talk About You.” As time will reveal, this sort of manic contrast would become a significant attribute of Coltrane’s unpredictable performance style. Not indicative of the quality of this set is the observation that, because of the astounding Coltrane solo works that both precede and follow Soultrane — most notably Lush Life and Blue Train — the album has perhaps not been given the exclusive attention it so deserves.

Tracklist:
01. Good Bait
02. I Want To Talk About You
03. You Say You Care
04. Theme For Ernie
05. Russian Lullaby

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https://file.al/yx8mlroqevtr/DSDmusic.link_JohnColtraneSoultrane1958MFSL2003SACDISO.part1.rar.html
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John Coltrane – Standard Coltrane (1990) [Analogue Productions 2002] SACD ISO

John Coltrane – Standard Coltrane (1990) [Analogue Productions 2002]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 34:39 minutes | Scans included | 1.39 GB
Genre: Jazz

John Coltrane had yet to move into his modal post-bop phase in 1958 when he recorded a session for Prestige Records on July 11 with trumpeter/flügelhornist Wilbur Harden, pianist Red Garland, bassist Paul Chambers, and drummer Jimmy Cobb, the results of which were issued in 1962 as Standard Coltrane. His groundbreaking modal work with Miles Davis on Kind of Blue was still a few months into the future, which makes this set more historical than vital or transitional, although it’s pleasant enough, featuring Coltrane on several standards, including a ten-plus-minute version of “Invitation.” Other Coltrane material from this 1958 Prestige era ended up on the albums Stardust (1963) and Bahia (1965), and all of it, including these four tracks, has been collected on The Stardust Session from Prestige Records, which is probably the way to go.

Tracklist:
01. Don’t Take Your Love From Me
02. I’ll Get By (As Long As I Have You)
03. Spring Is Here
04. Invitation

Download:

https://file.al/jjcqgx8bx26d/DSDmusic.link_JohnColtraneStandardColtrane1990AP2002SACDISO.part1.rar.html
https://file.al/b0wiuymuvyor/DSDmusic.link_JohnColtraneStandardColtrane1990AP2002SACDISO.part2.rar.html